Varo’s highly defined figurative work shows his eye for finely calculated formal relationships combined with a modern aesthetic.  The famed British art historian and critic, Edward Lucie-Smith states that Varo’s interpretation of the feminine form “captures echoes of Rodin and Maillol.” The artist’s non-figurative work, a series of cubes that combine fragments of soft drapery and geometric shapes, often reach heroic proportions.  On a grand Scale they are focal points of an architectural ensemble, being artwork and architectural